Today were sitting down with Peter Novague, Chief Designer at Novague
. Peter is a product designer who has tackled items from tweezers to yachts. Somewhere in between the two lies The Novague Edge Chair
– its form was inspired by Japanese origami, though it’s function, comfortable ergonomics, was the priority.
Do you have any favorite chairs that inspire your designs?
There are many chairs I love for their form, among which I could name those by Eames, Panton or the Bouroullec Brothers (Vitra). For me, however, the key aspect of a chair is whether it is comfortable to sit on and many products don’t meet this standard; the ergonomics aren’t optimal. My flat is full of beautiful chairs, including the T3 by Maarten Van Severen, one of the most interesting pieces I know.
How did you come up with the Edge Chair?
In our small country, a designer like me gets contracts of a very different type. As my primary focus is on the product design, I work on items as varied as glasses or a smartphone. All my past projects were the result of a compromise between my idea and other circumstances (such as the production costs, technological limitations, deadlines, or continuity of the company product line). When I was working on a smartphone, for instance, I could only choose from a limited selection of plastics, and both the connector positions and dimensions were already fixed.
Yet as I’m now able to fund my own projects, I decided to work on a furniture piece and designing a chair seemed to be a challenging and interesting enterprise.
How do the wide array of items you design inform each other? That is to say, how does designing a yacht or a car influence how you design a chair or a smart phone? Are there any universal ideas that cut across all of these areas in your design philosophy?
Certainly. I think daily about why I do design, what I can bring to it, and what it brings to me in return. And it’s always inspiring to meet with company owners, CEOs and executives. I learn a lot from them, and it’s also perhaps what I enjoy the most about my job.
As for my contribution in making a new product, I find myself as a cleaner: I practically remove an idea of its unnecessary parts. I’m playing with the form and content, aiming to produce a natural-looking product. It’s important that in the end, it only consists of what should be there. In other words, while some products are complex sets of parts due to the manufacture and assembly processes, it is the aim of design to consider the product as a whole, something complete and seamless. The final product should be more than a some of its parts.
The second important idea that resonates with me is a kind of respect towards the history of the product and its previous models.
Prague is one of the most beautiful cities in the world; how does it inspire you?
Prague is a splendid place for relaxation at cafés and enjoying the many cultural events it offers. Yet it loses touch with the latest developments in industrial design. In that sense, I’d prefer to have an office in London, New York, or Munich.
What are you working on at Novague right now?
An electric bicycle or a paddle, a typical product of which many people think there’s no more space for further designing and innovation.
Do you have any advice for people who are interested in a career in product design?
Don’t focus on the designers, study the individual products.
What kind of products do you recommend buying?
Concentrate on things you enjoy. Buying one thing of quality and and keeping it in an empty flat is better than filling one’s life with products that mean a compromise.