I am so excited for Museum of Design Atlanta’s upcoming Eero Saarinen exhibit – it starts this Sunday April 14th and will run through June 30, 2013. For those of you who won’t be in Atlanta during that time, I thought we could do a post on Saarinen here to let you enjoy his work too. Here’s a quick peek at a fe of his greatest hits:
The Miller House, Columbus, Indiana 1957: Now owned and maintained by The Indianapolis Museum of Art, the Miller House is open for tours. If you visit, be sure to pay attention the landscape by Daniel Urban Kiley; it’s one of the most spectacular modern gardens in the U.S. and the interior fun provided by Alexander Girard. Tickets sell out fast, so be sure to plan ahead if you’re planning a trip to the modern-architecture rich Columbus! You can buy them here.
photos via The Indianapolis Museum of Art
The TWA Terminal at JFK 1962: The last time I was in this building, it was leaky and there was a bird flying around, but this architecture was all about the Jet Age, back when flying was glamorous and exciting:
John Deere Headquarters, Moline, Illinois 1964: After catching the eye of John Deere’s president, William Hewitt with his designs, Saarinen designed the striking headquarters for the company. The project is a wonderful example of modern architecture living in harmony with its surroundings:
The Gateway Arch in St. Louis 1965: One of the most iconic structures (at 630 feet high, it’s also the tallest monument) in the U.S. is also by Saarinen. Again, he teamed up with Dan Kiley to complete the landscape. Isn’t this picture crazy? It gives me vertico just thinking about it, and it also makes me miss my erector set!
Saarinen’s furniture designs continue to be some of the most popular examples of mid-century modern style today.
He designed the Womb Chair (1964) at the behest of his good pal Florence Knoll, who wanted a chair she could curl up in. If one wants to stretch out in it, the matching ottoman is a great addition.
Of course, his tulip table, a.k.a. Knoll Saarinen Table (1956), is one of the most iconic pieces of furniture from the mid-century modern period. Saarinen was not fond of legs and wanted a cleaner look when it came to kitchen and dining areas. “The undercarriage of chairs and tables in a typical interior makes an ugly, confusing, unrestful world,” he said. “I wanted to clear up the slum of legs. I wanted to make the chair all one thing again.”
For those of you in Atlanta during the next few months, be sure to check out MODA’s Eero Saarinen exhibit!