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Friday, October 10th, 2014

Sale! 15% on Fantastic Modern Lighting

DesignPublic.com

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It’s time for big sales at Design Public. We’ve decided that fall is a great time to help you feather your nests for the coming cold months. It’s getting darker earlier and earlier, so one big area where we’re saving you money is lighting. Take 15% off the following brands now through October 31, 2014.

Produzione Privata’s Italian mouth-blown glass light fixtures are glowing works of contemporary art.

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Cerno’s unique contemporary lights are just the right fit for those with modern tastes. Linen shades provide crisp contrast to rich wood bases, dressed with subtly industrial metal accents.

Shop all Cerno

Louis Poulsen’s fixtures are Danish modern icons, practically a part of any mid-century modern lover’s design DNA.

Shop all Louis Poulsen

Pablo’s Tube Top Table Lamps have become an icon as of late. Simple yet sophisticated silhouette, they are available in clear or tinted acrylic.

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Tuesday, September 30th, 2014

Contest Time! Win a Beautiful OSIDEA Fortune Cookie Stool

DesignPublic.com

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Hey All! We’re giving away a fantastic prize, an OSIDEA Fortune Cookie Stool. Elegantly molded plywood forms this beautiful piece, inspired by the shape of, yup, you guessed it, a fortune cookie. Designed by Po Shun Leong, the stool functions as a sculptural extra seat.

So, here’s all you have to do to win one; we promise, it’s quick and painless:

1) Repost this photo to Instagram, Twitter, and/or Facebook

2) Tag @designpublic

3) Tag #DESIGNPUBLICPHOTOCONTEST1

The fine print: No purchase necessary. Each post counts as an entry into random drawing (contest ends 10/13/2014). More info at www.designpublic.com.

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Monday, September 29th, 2014

Last Chance to Save on Loll Designs

Becky

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There are just two days left to save 15% on Loll Designs. So if you’re ready to get your porch, patio, deck or the rest of your yard ready for enjoying the crisp fall air and s’more time, scoop up sturdy and colorful comfy outdoor chairs, tables, planters, benches, kiddo rockers, modern Adirondack chairs, a fire ring and more with some great savings! The sale ends September 30, 2014.

Shop all Loll and save 15%!

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Wednesday, September 24th, 2014

Designer Interview: Meet Bend Good’s Founder, Gaurav Nanda

Becky

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About as soon as Bend Good’s Lucy Chair rolled out into the marketplace, it became a contemporary icon. Artistically sculptural in shape with nods to iconic mid-century designs and a look to the future, the chair attracted architects and interior designers in droves. While it makes a statement indoors, it’s also built to stand up to the elements outside. Best of all, Bend Good’s products are built with sustainability at the forefront of their priorities, and using them contributes toward LEED certification.

Today we’re having a chat with Gaurav Nanda, the founder of Bend Goods. Gaurav is not a jack of all trades — he’s a master of many. His many skills include sculpting, t-shirt printing, clay-pot throwing, contributing to automobile design and entrepreneurship.

Is there anything in particular in your background that drove/helped you with the designs for Bend Goods — automotive design, sculpture, throwing pots? Design in general has always been a very big interest of mine.  I still today love to learn about different materials and love to work with different mediums that I have never worked with before.  It really does shape your perspective.  When you can look at something and see it for the process it took to make it and not just the end result, you get a deeper appreciation for it.  It can sometimes also spark an idea or give you a realization about something completely unrelated that you are working on.  That’s the best part about a creative job.  the creativity breeds and multiplies and seeps into everything that you might be working on.
What attracted you to working with metal in this way? Working in the auto industry, building models kind of lead me to metal.  It’s always fascinated me how you can take a material like metal and mold and shape it into something very sleek and beautiful.  There is something about metal that has this chameleon quality to just turn into anything you can imagine.  I chose iron for it’s sustainability.  It’s one of the most recyclable materials on the planet, and sustainability is something that is very important to me.
I love the way you present your products with dancing videos! What inspired that idea? I’m glad that you like it.  I had been brainstorming creative ways of getting the animal heads exposure and trying to figure out how to do that in a very creative way.  I met a filmmaker online and we brainstormed many different ideas.  A modern dance really seemed like the best way to give the animals personality but also function.
You began Bend Goods with seating and tables (I’m assuming?). What gave you the idea for the trophies and other accessories? How did you choose the animals? The seating definitely came first. When I started the company it was called Bend Seating for that reason.  Then as I started to move into tables and eventually the trophy heads, we switched the name to Bend Goods.  I’ve always had many interests in terms of design.  I started with seating knowing that one day I would want to build an entire collection.  The idea is to create classic designs that you could potentially outfit an entire home with.  The trophy heads to me were a lot of fun to develop.  I’ve always been a big fan of mounted taxidermy, but there is definitely something sad about the process.  I wanted to put a modern more humane spin on that form of art.  I chose the animals because I wanted to represent the power in the animal kingdom.  I think that each animal that we have represented is very majestic and powerful in it’s own right.

What’s your workspace like? How does it inspire you? We are actually in the process of moving work spaces.  We started Bend in a live/work loft in Marina Del Rey, California and earlier this year started to become very aware that we were rapidly outgrowing the space.  We spent many months going back and forth trying to decide our next step and finally landed on buying a house.  We now reside just south of Hollywood in what we are currently designing to be a living catalogue.  It will be a space where we can have meetings and invite designers and architects over to see the furniture in a natural useable setting.  It has an amazing backyard with a pool and a detached garage that will be our workspace and photo studio.  It really is going to become a mini Bend Compound and we couldn’t be more excited about it.  For me the process of building this space has given the brand life and shown me what is truly possible with what we are creating.  Being able to live in a space that is all Bend Goods with some mid century modern pieces mixed in will inspire me every day and allow me to really think about where to go next and what we need to develop next.
[I hope they will share a house tour with us when it's ready!]

Do you have any design heroes or favorite designs that have influenced your work? Designers like Harry Bertoia, Warren Platner, Charles and Ray Eames to name a few are always big influences for me in terms of design and being progressive.  Their work is what made me want to start doing what I do today.
Any advice for how to get out of a creative rut/block? Don’t sit and stare at the same spot on the wall and think that you will be inspired.  We live in a day and age where you can work for almost anywhere on the planet.  Find a place that inspires you and get out of your comfort zone.
Thanks so much to Gaurav for taking the time to speak with us today. We cannot wait to see the Bend Goods House!

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Tuesday, September 16th, 2014

(Re)Introducing the Spanner Lounge Chair With Arms

Becky

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We are so pleased to announce that we are carrying The Spanner Lounge Chair with Arms at Design Public. Originally created in 1950 by Russell Spanner (1916-1974), the award-winning designer’s chair has been out of production for more than 50 years. Gus*Design Group worked in collaboration with the Spanner family to revive this iconic chair, meticulously matching the materials, construction and details to the original chair.

The frame is constructed of  solid birch and curved birch plywood and the seat is 100% cotton woven strapping. During the design collaboration with the Spanner family, Gus*Design Group worked hard to match the finishes (both light and dark birch) and strapping colors (choice of green, red or black strapping):

Vintage Ad for Russell Spanner's Furniture

Today we’re talking with Joran Van Lange, the designer at Gus* Design Group who acted as design and production lead for the Spanner Lounge Chair reissue, to learn more about this exciting re-release.

How did you discover the work of Russell Spanner?
I first saw his work in a design lecture while I was in school.  His original designs show up occasionally here in Toronto at vintage and mid-century antique shops, so before we even knew Russell’s background story, we were familiar with the Russell Spanner “look”, which is very recognizable.

What drew you to the Spanner Chair in particular?
There’s something really positive and energetic about the lines and angles of the chair.  It’s bold without being too serious.

Which leads me to, what about its mid-century design still works so well today?

The design is relevant today for the same reasons it was relevant in the 1950s. At that time, North American cities were seeing an explosion of compact, post-war homes, which needed furniture that was smaller scale.  The movement toward condo and small space living in the last decade has meant that consumers are again looking for smaller, lighter furniture pieces.

Aesthetically, the chair embodies the mid-century tradition of leaving components and hardware in plain view.  Nothing is hidden by panels or upholstery.  There’s a transparency in that which people appreciate.

What is the history of the chair?

The Lounge Chair was designed by Russell while he was working as foreman at his family’s woodworking factory.  It’s believed that he used some of the jigs and parts of other industrial products to form the basic components for the Lounge Chair.  As an example, the frame for the seat shares the same proportions and joinery as the industrial battery boxes which the factory produced at the time.

Where are the reproductions produced?

We felt that because this chair was originally designed and produced in Toronto, it was important to carry on that legacy and produce the re-issue here as well.

Did you learn anything new about design and production from the process of putting the Spanner Chair back into production?


We realized once we began to dissect the original chair that there are some very sophisticated joinery details going on.  Everything must be manufactured perfectly in order for the design to work.

It works beautifully.

Purchase a Spanner Lounge Chair with Arms at Design Public

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