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Friday, May 29th, 2015

Brand Spotlight: Kähler Design

DesignPublic.com

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If you don’t know Kähler, you’re going to want to get to know them. The iconic Danish ceramics company has been making museum-worthy pieces since 1839. Don’t let the pedigree scare you though; the Kähler pieces you’ll treasure forever are still handmade by artisans yet are reasonably priced.

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Hand-painted stripes mark the classic Omaggio line by Kähler. A variety of shapes and sizes in a range of colors, the vase collection is made for all sorts of leaves, branches and blooms.

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Omaggio will dress your table with style as well. A favorite is the crisp contrast of black and white with lovely wooden details like the butter dish’s top.

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As an interesting side note, Kähler more recently expanded from making serveware to serving regional Danish specialties in their restaurants in Denmark.

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The Botanica vases have beautiful colored glazes that reflect the light.

Watch Kähler being made:

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Kähler’s Urbania lantern’s windows glow on the table.

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Speaking of glowing,Kähler has a variety of playfully shaped candleholders.

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Kähler’s Ora Table Clock adds sweet charm to any table or bureau top. It comes in white, black, pigeon blue and rose.

Shop all Kähler

 

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Thursday, May 7th, 2015

Introducing Skargaarden

DesignPublic.com

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We are proud to announce that Design Public is now carrying Skargaarden, a brand of beautiful furniture that comes to us all the way from Gävle, Sweden. We’re going to tease you with just a few of their stunning pieces.HARLS-T_HS-AFL-W_WB_2.jpg

 

The pieces shown above are part of Skargaarden’s Häringe Collection.  It’s built to stand up to inclement weather, and the wooden slats are gorgeous teak.

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Before you get to know them a little better through photos, here’s a bit of their design philosophy:

“We like to think of ourselves as part of a tradition that’s truly Scandinavian. On the other hand we’re inspired by everything from early American shaker style to Bauhaus. We believe that less really is more.”

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Their Nozib Sun Lounger embodies these principles to a T. It’s comprised of 88 layer-glued teak slats, stripped down to its most The neck cushion is made from water-resistant artificial leather and can be height adjusted or removed.
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The Skargaarden Tipi Lamp has a conical shape and its teak construction adds to the glow it provides.

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While we love teak, but we’re also happy that Skargaarden has some whimsical fun with metal in their Reso Collection. These pieces throw some great curves and color into the mix.

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The Skaargarden Reso Chair with Fabric Seat is upholstered with hardworking Sunbrella fabric.

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There are fun accessories like fire baskets, doilies, napkins, candle lanterns, coasters and rugged throw pillows. Their Hamse Pillow (above) has a modern nautical style.

That’s just a small sampling people; Click here to shop all Skargaarden

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Friday, January 2nd, 2015

SALE! 15% Off Gus Modern

DesignPublic.com

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If you’re in the middle of rethinking your furniture and interior design for 2015, now’s a good time to shop. We are offering 15% off all Gus Modern for the entire month of January. Here are just a few highlights to tempt you.

gt-rockerGus Modern GT Rocker

carmichael-bedGus Modern Carmichael Bed

Transit_Bench_-_Natural_Ash-31.jpgGus Modern Transit Bench

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Gus Modern Bloor Sofa

wireframetable01b_1024x1024Gus Modern Wireframe End Table

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Gus Modern Spanner Chair

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Gus Modern Davinport Bi-Sectional Sofa

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Gus Modern Hex Ottoman

Shop all Gus Modern

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Tuesday, September 16th, 2014

(Re)Introducing the Spanner Lounge Chair With Arms

Becky

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We are so pleased to announce that we are carrying The Spanner Lounge Chair with Arms at Design Public. Originally created in 1950 by Russell Spanner (1916-1974), the award-winning designer’s chair has been out of production for more than 50 years. Gus*Design Group worked in collaboration with the Spanner family to revive this iconic chair, meticulously matching the materials, construction and details to the original chair.

The frame is constructed of  solid birch and curved birch plywood and the seat is 100% cotton woven strapping. During the design collaboration with the Spanner family, Gus*Design Group worked hard to match the finishes (both light and dark birch) and strapping colors (choice of green, red or black strapping):

Vintage Ad for Russell Spanner's Furniture

Today we’re talking with Joran Van Lange, the designer at Gus* Design Group who acted as design and production lead for the Spanner Lounge Chair reissue, to learn more about this exciting re-release.

How did you discover the work of Russell Spanner?
I first saw his work in a design lecture while I was in school.  His original designs show up occasionally here in Toronto at vintage and mid-century antique shops, so before we even knew Russell’s background story, we were familiar with the Russell Spanner “look”, which is very recognizable.

What drew you to the Spanner Chair in particular?
There’s something really positive and energetic about the lines and angles of the chair.  It’s bold without being too serious.

Which leads me to, what about its mid-century design still works so well today?

The design is relevant today for the same reasons it was relevant in the 1950s. At that time, North American cities were seeing an explosion of compact, post-war homes, which needed furniture that was smaller scale.  The movement toward condo and small space living in the last decade has meant that consumers are again looking for smaller, lighter furniture pieces.

Aesthetically, the chair embodies the mid-century tradition of leaving components and hardware in plain view.  Nothing is hidden by panels or upholstery.  There’s a transparency in that which people appreciate.

What is the history of the chair?

The Lounge Chair was designed by Russell while he was working as foreman at his family’s woodworking factory.  It’s believed that he used some of the jigs and parts of other industrial products to form the basic components for the Lounge Chair.  As an example, the frame for the seat shares the same proportions and joinery as the industrial battery boxes which the factory produced at the time.

Where are the reproductions produced?

We felt that because this chair was originally designed and produced in Toronto, it was important to carry on that legacy and produce the re-issue here as well.

Did you learn anything new about design and production from the process of putting the Spanner Chair back into production?


We realized once we began to dissect the original chair that there are some very sophisticated joinery details going on.  Everything must be manufactured perfectly in order for the design to work.

It works beautifully.

Purchase a Spanner Lounge Chair with Arms at Design Public

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Monday, August 25th, 2014

California Boho Goes Pro in this Santa Monica Office

Becky

Posted by Becky | View all posts by Becky
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TV production developer Ashley Stern needed to set up a Los Angeles outpost for her Paris-based company —quickly and on a limited budget. The space her real estate agent and interior designer Veerta Motiani helped her choose had plenty of pluses. It was around the corner from Santa Monica’s Main Street, it had wonderful high ceilings and industrial style, the building was new with a gorgeous lobby and roof-deck ocean views, and the price was right.

However, the long narrow space posed some design challenges. It didn’t get a great amount of natural light, the ceilings were a little too high for human scale and she wasn’t allowed to paint the walls. On top of that, Stern needed the space to serve as her office, have room for a potential intern, include a conference table space and be set up to accommodate two of her French colleagues when they were in town on business.

photo by Alen Lin

The project began with Stern’s desk. “She was nervous about this idea, but I had to tell her to just trust me, we were going to use a dining room table instead of a desk to serve as the centerpiece of the room,” Motiani says. The rustic light pine table serves primarily as Stern’s desk but can also accommodate two of her French colleagues when they are in town. Because it’s open underneath, her co-workers or her intern, or both, can join her around the table to conference and to work on their laptops. Two comfortable modern chairs serve as their desk chairs when they are in town. Turned around, as you see here, they offer another place for Stern to have one-on-one meetings.

Motiani wanted the room to reflect Stern’s bohemian style and the relaxed coastal Santa Monica/Venice Beach vibe. The rug’s deep blue chevron pattern brings in ocean color, while a woven ottoman adds a beach grass feeling. The ottoman also functions as a side table for notepads and pens during meetings and as a casual extra seat.

photo by Alen Lin

Because the room was dark and they weren’t allowed to paint the walls, Motiani found a contemporary steel chandelier that fit in with all of the industrial elements on the ceiling. She also chose a white filing cabinet and accessories near the windows to reflect the light and keep things bright. Stern literally was brought up in a [converted] barn and loves horses, so Motiani chose a white horse ceramic piece to sit atop the filing cabinet. She brought in plants to play off the glimpses of tree branches outside.

To save on the budget, Motiani found a handful of pieces in Stern’s family storage unit. The tall lamps were among their things; Motiani knew their exaggerated height would help the design stand up to the extra-high ceilings.

photo by Alen Lin

Another way Stern’s family helped the decor in a major way was through the artwork. Stern’s grandfather is noted photographer Phil Stern. He allowed Motiani and his granddaughter to cull his archives and pick out exceptional pieces for the office.This photo of James Dean in the turtleneck is one of his best-known pieces.

The glass console table can serve as a landing spot for keys and bags, a credenza or as a separate desk for an intern. A sofa serves as a more casual space to work from, where Stern can relax and get her creative juices flowing or pow-wow with a colleague. The coffee table is an upside-down metal bucket from Stern’s family storage unit. Motiani chose it because of its beautiful green-gray color. The piece adds an interesting rusty and crusty patina to the room, suitable for this more relaxed seating area.

photo by Alen Lin

“This project was a challenge — I really had to hustle to keep within the budget,” Motiani says. “We were really lucky that her family had so much great stuff they weren’t using!”

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