A bit over a year ago, I graduated from the Furniture Design program at the Rochester Institute of Technology in upstate NY. This program had a huge influence on the way I approach my business. It focuses very heavily on design, prototypes, finished objects and craftsmanship. All of my work starts out with my hands physically making the first product … even if it eventually gets subbed out a larger manufacturer.
Your background includes furniture making as well as exhibition design and displays. How did that experience lead you to the design of your plant pod? The product shots look like mini-exhibitions to me!
Hahaha, yes, yes that is very intentional. While in school I worked with a local art gallery. After seeing how perfect (and white) the walls had to be to display the work, I realized that I wanted my work to be clearly represented in its purest form. I respect seeing products in their environments – it allows people to see the product’s potential in their own homes. But I also have faith in the beauty of an object standing alone.
As for making my way to this design, In school I designed a lot of objects that were very laborious; objects that would have to be sold to a certain class of citizens. Switching the approach to designing a product that could reach other classes, I wanted to come up with something that was small for the ease of shipment and used cheap materials. Something that could take advantage of new, efficiency-driven technologies. Also, to design something that would fit into homes of various styles. These factors just led me to create the Plant Pods … and I think I satisfied all of the above-mentioned factors.
Domenic Fiorello Plant Pod, made from White Oak; has keyhole hangers with screws and template for ease of installation
Where do you look for inspiration?
I look to fine art a lot. I am a huge fan of Sol LeWitt and Mark Rothko. I’m not going to try to define mid-century fine art, but these guys, in my mind, draw from using simple forms and compositions, but through subtlety, there is always a surreal “wow” effect.
Subtlety is very important in my work. I also look to mid-century Scandinavian design as well. I’m in awe every time I see a collection of Hans Wegner chairs.
Wegner dining chairs; image from Vintage & Modern
Do you get creative blocks? How do you un-block?
My creative blocks always tend to happen while in the drawing phase of a design. I will start making models, anything to get my hands involved. It becomes a different way of thinking. Seeing an idea in 3 dimensions really opens the doors as well. Another thing I do is call up a few other designer/maker friends. We’ll get together drink a beer and just start talking about ideas. 3 heads are always better than one.
What else are you working on?
This is a new piece I recently finished, the KF table. The KF Table is a result of my studies in the visual texture of fabric. In recent years my work has been influenced by layering two-dimensional patterns over three-dimensional forms. To further push this idea I was curious to see if I could achieve a fabric-like look. Ultimately, the goal was not to mimic herringbone fabric, but to play off the qualities of the fabric.
This piece is more of an experimentation of pattern study than a product that will hit the market. I soon hope to push the textural idea into something more producible though.
We can’t wait to see what else Domenic comes up with; for now, we’ll enjoy the beautiful Plant Pod perches he’s created for our succulents. Order one for yourself here.
Hi, I'm Becky. I live in Atlanta. Besides acting as the Editorial Director here on Hatch, you can find me talking design over at Houzz. Make me happy — leave a comment!